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Friday, 6 February 2015

Demon bed legs!

In view of the recent advertisement for the forthcoming demon conference in Swansea, I thought I would tell you a bit more about a couple of the items featured on our poster (put together buy Kasia Szpakowska and her demon team Felicitas Weber and Zuzanna Bennett). Here is the poster:




Part of what I am about to suggest, is of course speculative, that is, I can't prove it but I wonder if the two bed legs featured are part of a 'woman's bed' of the type mentioned at Deir el-Medina, for women to nurse their young babies. Whether that is the case or not, the legs are quite unusual in showing in paint Bes and Taweret with a snake. The left leg above shows Bes, and the right Taweret, the snakes are painted in red on the inside of the bed. They have the Egypt Centre accession number W2052a (the Bes leg) and b (Taweret). Their similarity suggests they are part of the same bed. W2052a is from the foot end, left side if you were looking from the head of the bed. While W2052b from the head, right side. This would place the snakes on the outer surfaces of the head and foot ends and Bes and Taweret on the opposite outward facing edges. 

Sir Henry Wellcome purchased these bed legs, decorated with pictures of Taweret and Bes, in 1906 from the collection of Robert de Rustafjaell. One is marked in pencil ‘Akhmim’ suggesting that it possibly came from this area.

Bed legs such as those here are frequently constructed in the shape of lion legs. Just as the lion was symbolically associated with the rebirth of the sun at dawn, a lion shaped bed might confer refreshed awakening from sleep for the occupant.

The ancient Egyptians saw the hours between sunset and sunrise as particularly dangerous, a time when they may be at risk from malevolent forces. To protect themselves from such powers positive deities were called upon. The two most common were the hippopotamus goddess Taweret and the dwarf god Bes. It is possible that beds were generally decorated with such deities, however, Taweret and Bes were also particularly connected with women in childbirth.

Thus, these legs may be part of a 'woman's bed' upon which a woman would have given birth and/or rested shortly after birth.

At New Kingdom Deir el-Medina, ‘women’s beds’ appear to have been purchased along with birth amulets [Toivari-Viitala 2001, 178]. Unfortunately, we don’t know what such beds were like, though there are clues in the ‘Wochenlaube’ scenes (see footnote) and in model clay beds [Pinch 1983, 406, pl. V]. On both, snakes are shown. On the clay models, the bed legs may take the form of Bes, and a snake is depicted on either long edge of the bed. But only one complete bed exists which depicts snakes; it is that of Sennedjem, which is Ramesside in date, and like ours has a painted decoration. Here two snakes are shown on the bed frame, one on each side. Other depictions of snakes on actual, as opposed to model, beds do occur, e.g. a New Kingdom bed leg from Thebes has cobras entwined around the legs (EA 21574; Quirke 1992, fig 70). Depictions of Bes on actual beds are, however, much more common (Graves-Brown 2010). Pinch (1983, 406, pl.V) shows that on depictions on ostraca of mothers nursing their babies, Bes appears on the bed legs. 

On the Wochenlaube scenes the snake has been identified as a protective fertility snake by Brunner-Traut (1955, 24). There are also parallel scenes where Isis and baby Horus are shown flanked by protective serpents.The pottery beds on which such serpents appear are dated to Pinch (1993, 209) as late 18th Dynasty to Third Intermediate Period. 

The legs may well have come from a tomb, however, this does not preclude their use in everyday life. Birth items were particularly apt for the tomb as, for the ancient Egyptians, rebirth in many ways, mirrored birth.


Further Reading and References

Brunner-Traut, E. 1955. Die Wochenlaube, Mitteilungen des Instituts für Orientforschung, 3, 11-30.

Graves-Brown, G. 2010. Dancing for Hathor. Women in Ancient Egypt. London and New York.

Killen, G., 1980-1984. Egyptian Furniture. 2 volumes. Warminster.

Pinch, G., 1983. Childbirth and Female Figurines at Deir el-Medina and el-Amarna, Orientalia, 52, 405-414.

Quirke, S. 1992. Ancient Egyptian Religion. London,

Toivari-Viitala, J., 2001. Women at Deir el-Medina. A Study of the Status and Roles of the Female Inhabitants at the Workmen's Community During the Ramesside Period. Leiden.

Footnote: Several ostraca are known from ancient Egypt shown nursing women seated on beds, often with convolvulus and sometimes with snakes depicted. Women may be shown having their hair done and a mirror may be evident. Similar scenes also appear in the front rooms of some houses at Deir el-Medina. These scenes, which seem to indicate some special area for birth or post-parturition recuperation, are termed by Egyptologists ‘Wochenlaube’ scenes (the term was coined by Brunner-Traut in 1955).  


Tuesday, 3 February 2015

Royal wine


And thank you again to Dulcie Engel, who led our handling session on ways of writing. This is one of the objects she chose and our volunteers got to actually touch it. Another item is featured here. We are doing a session in March for members of the public.

W960. Pottery neck of wine jar with hieratic inscription.

The inscription states that the wine came from a vineyard in the Western River and was bottled in the 12th year of the reign of the king. In 3 pieces. 27.5cm long. From Amarna.

The Western River is thought to be the Canopic branch of the Nile in the western Delta. Wine making in ancient Egypt dates back to at least the Early Dynastic Period. According to Plutarch it was the god Osiris who first taught the Egyptians to drink wine. The best wine came from the Delta region.

Most of the fragments of wine jars from Amarna were found in the Central Palace, though there a number of fragments also come from the Workmen’s Village. It has been suggested that the wine labels found in the Workmen’s Village show that vessels were reused for other purposes. Wine labels are important for dating the site of Amarna. Year 17 is the latest attested date of label.

This seems to read:
HAt-sp 12                                              year 12
irp (nDm) n pr.....                                 wine (sweet) of the house [i.e. estate]....
n itrw imnty Hri KAmw             of the Western River, vineyard supervisor....


Further Reading.

Murray, M.A. 2000. Viticulture and Wine Production in Nicholson, P.T. and Shaw, I. Ancient Egyptian Materials and Technology, Cambridge University Press.

Wahlberg, E-L. 2012. The Wine Jars Speak. A Text Study. University of Uppsala (online- http://www.diva-portal.org/smash/get/diva2:528049/FULLTEXT01.pdf).

Friday, 30 January 2015

Not Just Egyptian Stuff II

And a few more non-Egyptian items:

Left: GR9: Female figure from Beoetia. Board-like body, truncated, pointed arms. Big curl over nose. Polos (truncated cone) on head. Black paint. 125mm high. 6th century BC. Such figures were placed as gifts in temples or could be put in tombs.



Right: GR28: Black polished red-figured jar with handle(NOICUS). This is an oinochoe (wine jug). This piece was made in southern Italy c 400 B.C. The mouth is trefoil (in the shape of a clover leaf) and the figure represents a seated Dionysaic figure with tail holding an offering plate and a plant. A wave pattern runs around the foot of the vase and egg moulding occurs above the figure. The item was purchased by the Department of Classics and Ancient History(Professor Kerford) in the 1960s. Height 24mm.



Left: GR2: Horse with rider. Stripes painted on body. Greek. 6th or 7th century B.C. Similar figures have been found in men's tombs in Boaeotia. 84mm high.


















Not just Egyptian stuff!

Did you know that the Egypt Centre at Swansea University has items which are not Egyptian? Yes most of the objects are Egyptian but we also have one or two which are not. I thought it might be good to highlight a few of these. As I am not an expert on them, I would be glad of any additional information.

So, to start we have this. A marble slab with cuneiform inscription written in Babylonian of Nebuchadrezzar II. It reads: Nebuchadnezzar, king of Babylon, provider for Esagila and Esida, eldest son of Nebopolassar, King of Babylon am I. Esagil and Ezida were the temple complexes of Babylonia and neighbouring Borsippa.

The same inscription can be seen on many of the thousands of bricks found at Babylon (now southern Iraq) which was excavated in the 19th century and upon stone slabs also used in building projects. King Nebuchadnezzar used such bricks in his official building projects.

The piece is set in plaster and is 20cm high. On the back of the plaster is written 'Encased by J.J. Sexton, London A.D. 1885/ Victoria Queen'.

Babylon is described by the Greek Historian Herodotus in about 485-425 BC. At the writer Berosus credits Nebuchadnezzar with the building of the ‘Hanging Gardens’ for his homesick Iranian wife. Nebuchadnezzar ruled from 605 to 562 BC.


The script on this is ‘cuneiform which was used to write a number of different languages. ‘Cuneiform’ means wedge-shaped’. Different versions of the script were used at different times.

Our volunteers get to handle this object next Tuesday on a session organised specially for them by Egypt Centre staff and led by volunteer Dulcie Engel.

If you want to see more of our objects, Egyptian and non-Egyptian, we have an online catalogue here: http://www.egyptcentre.org.uk/

And a few more non-Egyptian items here.

Thursday, 2 October 2014

Dressing-up: not just for children

Have you ever wondered how the ancient Egyptian women walked in those tight dresses you see on tomb walls or worn by statues- I have. Well, not only does it appear that tomb paintings are very unlike the actual costumes found, but a well known expert on Egyptian costume has shown that it is likely that the 'tight looking' dresses are actually draped, wrap around garments, a bit like saris. The Egypt Centre has expanded it's dressing-up activities to explain Egyptian costume to adults, and this new activity will be launched for the Welsh Museums Festival next week.


The statuette of this couple in the Egypt Centre (left) shows a man and a woman (more information here). It would appear that she is wearing a straight dress, closely fitted to the body.















To the right you can see some actual ancient Egyptian clothing on display in the National Museum of Denmark. Note how baggy it is.








A mystery? However, Egyptologist Gillian Vogelsang-Eastwood has looked at folded cloth found in Egyptian tombs, and particularly at the wear and sweat patterns on them! From this she suggests that the folded cloths were actually garments worn by men as well as women.

If you visit the Egypt Centre you can have a go trying on linen cloths and draping to make the garments we see the ancient Egyptians wearing. There are pictures to help you and of course our wonderful volunteers are there to assist.

This new activity for adults was made possible through a grant from the Federation of Museums and Art Galleries in Wales.

We should also say that we have lots of other hands-on activities for both children and adults, and further information on Egyptian costumes.

Tuesday, 9 September 2014

Pottery Stool from Amarna W345

We had this object out for our last volunteer handling session and I thought it needed more press, hence a quick note on this blog. First some photographs:

A view from a short side

A view from the most complete long side
A view from the top

It's made of pottery and measures 23x18x13cm. It's decorated with blue red and brown paint which pick out details. The feet of the stool, as can just about be made out in the middle photo look as though they may have been painted in imitation of lotus flowers (I haven't found any parallels on wooden furniture).

It has the excavation number written on it: 'TA 30/31 TA 36.61. This correlates in the Frankfort and Pendlebury 1933 volume ( The City of Akhenaten Part II. The North Suburb and The Desert Altars. ) p 48 with a house in the North Suburb which had a 'master's bedroom'.

I would be glad to here of any parallels. Oh yes, and it seems to be an imitation of a wooden stool of this sort of type. Apologies for this last pic- I'm no artist, but you get the idea!


Wednesday, 20 August 2014

The Eye of an Artist

This portrait has been on display in the Egypt Centre since it opened in 1997, apart from a little trip which it did to Madrid in 2011. Such items are commonly known as Fayum portraits, from the area in Egypt in which they are found. We knew ours was damaged. If you look you can see a crack down the middle where the parts don't actually meet properly. It looks damaged as though a piece has been added in.  However, yesterday an artist (Donna Wilshere) visited the Centre and pointed out something we hadn't considered before. The portrait is actually two halves of different portraits put together to make one. That is, these are portraits of two separate individuals, presumably made up to look like one in Victorian times.

The portrait/s date/s from the Roman Period in Egypt and probably from the 1st to 3rd centuries AD. Such portraits are usually found in the area of Lower Egypt settled by Greeks and then Romans, largely the Fayum. This example comes from Hawara. The sitters were usually descendants of immigrants from Greece who had settled in Egypt. Such people had come to Egypt in search of employment after the invasion of Alexander the Great (332-323 BC). It may be that during the lifetime of the sitter, such paintings were displayed in the house. After death they were put in mummy wrappings.

Donna Wilshere noticed that actually we have here two separate people:


The left looks like the face of a woman with slightly pointed jaw. The right looks more like a more rounded face. The hairline, earring, jaw and even the paint shading do not match. Obvious isn't it! But we didn't realise this.





Further Reading

Borg, B.E. 2010. Painted Funerary Portraits. UCLA Encyclopedia of Egyptology.


Walker, S. and M Bierbrier 1997. Ancient Faces: Mummy Portraits from Roman Egypt. British Museum Press.